Showing posts with label Life. Show all posts
Showing posts with label Life. Show all posts

Monday, May 10, 2010

Pleurisy


On a Friday night, not unlike any of my other Friday nights, I came home with a pepperoni pizza and turned on the oven while emptying the dishes from the machine.

This was my second pepperoni pizza since last week, and so I anticipated it would not give me the same rewarding pleasure that the original one gave me several nights before. But I was turning to food more lately, as a consolation for my boredom and loneliness.

As far as I knew, I would eat my pepperoni pizza, enjoy a cigarette in the garage (another consolation), and retire to my upstairs office. There I would work on the arts website, perhaps read some submissions, and if the inspiration came to me late at night, I would compose some verses or add another essay or meditation to this chronicle of innocence.

It occurs to me that a writer who is consciously or subconsciously perusing the material of her life will inevitably come to the conclusion that the material is wanting, lacking somehow. Very few things stand out on the vast topography of our mundane existence.

For this reason, I'm curious about how we change in the span of a single day--how our course is suddenly pushed onto another track of possibility, which gives rise to a new self-conception. Brought on by the force of an event, we see our lives, as it were, in color, with new wishes, dreams, desires, and motives.

These are the experiences I wish to capture in my writing, if only because they convey the interesting passage from the finite to the infinite.

I'm not feigning obscurity here. You'll understand everything by the end of this essay, and if you don't, then at least you will have spent some time with me, and perhaps made a friend.

There is a tragic story to all our lives; I am convinced of it no matter how happy you tell me you are. Lucky for us, the tragedy is raised to the arch-background and we prefer not to dwell on it. I won't talk too much about tragedy here, other than through the story of what happened to me after I finished eating my pepperoni pizza.

Like I mentioned, it was a Friday night, which always seems to conjure up feelings of isolation. I won't get into that too much either. But I was sitting at my computer, if you recall, and there are a number of things I do at my computer which make me feel occupied, important, or otherwise pro-active. That's why it doesn't really matter what day of the week it is (I work from home), I can always distract myself from whatever subtle anguish or boredom is nagging at me just beneath the surface.

The pepperoni pizza was having a hard time digesting in my stomach, and I knew this would be the case from the last time I ate one, and from eating unhealthy food in general. It looked like an average Friday night so far. I smiled at my reflection in the computer screen, I typed, I sent messages to friends over Twitter, I replied to emails, I surveyed the traffic patterns on Escape into Life.

This is precisely what I was referring to when I mentioned the vast topography of our mundane existence. These little sorts of activities that cushion our lives. Think of them as taking place within a grey continuum, with blips of surprise, discomfort, headache, joy, nausea, fatigue, rest.

There are also countless forms of anguish that can be added to that category of the mundane, depending on your physical condition, and how well you maintain your body. As for myself, I've been having a rough time of it. Since last week, these extraordinary pains in my chest led me to seek out a doctor for the first time in five years.

I went to one of those Prompt Care facilities, in which no appointments are necessary. The doctor they matched me up with looked Greek. He had a tan bald head and a reserved manner, but you could tell he thought highly of himself. The Greek doctor determined that there was nothing wrong with my lungs or my heart, but that I had severe allergy symptoms, and he prescribed a nasal spray and some antibiotics.

I left the Prompt Care facility feeling as though something had not been addressed. Although I was happy to breathe again thanks to my new prescription of nasal spray, I remembered repeatedly telling the old man, "I feel like I'm dying."

I was feeling a pain under my left chest plate. Each time, it was like someone had dug their fist into my chest and squeezed out all of the air in my lungs, applying the most excruciating pressure to the heart and everything else inside. I couldn't breath while this was going on and the muscles in my back tightened into a vice.

Several hours later, while I was at my computer, the chest pains returned and I curled in my chair, unable to breathe. I observed that my Friday night wouldn't be wasted if I drove myself to the Emergency Room at St. Joseph's Hospital, rather than endure the agony of severe chest pain.

I parked my car in the wrong section of the parking lot, and hobbled toward the lights at the circular entrance doors. My decision to admit myself to the Emergency Room was not yet certain. I didn't want to get charged an exorbitant price for not having health insurance, and perhaps worse, I didn't want to be told that my chest pains were normal.

My physical state was pathetic, I felt like an invalid, unwashed, and I got the abrupt sensation that with all the gas from the pepperoni pizza, I may have shit my pants.

So I opened one of the hospital doors and briskly entered the nearest bathroom. I checked the inside of my underwear, which thankfully, showed no signs of run off. I briskly washed my hands and wended my way through the labyrinthine basement of the hospital, reading the signs that pointed to the ER. A tech worker caught me in my state of confusion, and guided me to the Emergency Room doors.

With the odd hours of the night, and my general feeling of confusion, I began to see myself as an outsider here. But I also felt a twinge of belonging, like perhaps this is where an outsider is meant to be.

I stood at the registration window, and glimpsed a technician speaking to an older lady in a wheelchair. The old lady had a blood pressure wrap on her arm and was telling the technician that she didn't have any pain.

It was approximately 12:30 pm. As I filled out the registration papers, a large black security officer made small-talk with a smaller lady sitting at a desk in front of five computer monitors. Their topic of conversation was "Facebook and Security."

I was called into the tech's office, where I removed my jacket and waited for several minutes, going over in my mind all the questions I had about not having insurance and how much it would cost, and whether they could really help me with my condition.

The woman who had been talking to the older lady for so long finally came into the check up room to do my blood pressure. I still hadn't made up my mind about whether I should be admitted into the hospital. But with a clandestine swoop across my wrist, I found a loose, beige hospital band with my name on it.

I believe there are three rooms, if you count the waiting room, before you reach the doctor.

Well, on this night, each of these three stations led me deeper into an experience. I didn't know what I was doing here to be perfectly honest. I mean I had some severe chest pains, but other than that, I think I was just bored and wanted to go to the hospital. Or maybe there was something I wanted . . .

When a surrogate nurse brought me into the second station, I removed my jacket and placed it on a chair, along with my cell phone and wallet. I immediately laid down on the flat cushion, which appeared to me at this moment more comfortable than a king size bed. Then the real nurse came inside the room and asked me to put on a gown. She seemed very genial, and also hip for her age, with short dyed blond hair. Her hair reminded me of my mother's because it was cropped short.

I was in pain but I didn't want to make a performance out of it. So I held my arms close to my chest and leaned back into my pillow.

"Do you want me to raise that?" She asked.

"Yes, please," I said, taking a second glance at her face. "You seem like a nice lady."

You know there is something about being in the Emergency Room late at night, where there are only two people in a single room, a nurse and a patient. It can be a very tender intimacy without any sexual implications, just the presence of two strangers put in the same room, one taking care of the other. These thoughts were comforting to me even though I had a bit of apprehension about when the doctor would arrive, what he would say, and what he would give me.

The plain truth is that I'm a self-destructive person. There is no easy way to talk about this. I've tried to understand it my whole life. Part of my sensitivity comes from this destructive nature of mine.

After the nurse dimmed the lights and left the room, I sunk into the cushion and closed my eyes. Without exaggerating, this Friday night was turning out to be one of the best Friday nights I think I've ever had in my entire life. I'm pretty sure I fell into a dream where my father's nose was cut off, as if he'd had plastic surgery and it didn't work out. Well, the vision was terrifying and the image still burns strong in my imagination.

Luckily, I was startled awake by a young woman, I want to say "girl," dressed in a casual striped men's shirt. She had short raven hair, and held a clipboard.

"I'm here to collect your insurance policy information." She spoke in a sweet tone of voice.

At first I didn't answer, I only looked at her pale freckled face and dark hair, and the way her men's collar rose slightly over her narrow shoulder-line.

"You look familiar," she said. "You look like one of my older brother's friends."

And those were the kindest words that have ever been spoken to me. I must have looked like utter crap.

"Oh, I don't have insurance," I said.

"Well, we could get you one of those Charity forms, where you fill in your financial information."

"No, no, that won't work. I've tried that before. I have a trust fund."

"It's always better to be safe than sorry," she said.

I nodded in agreement.

She left the room and I gloated that she had even entered it in the first place. For the next twenty minutes, I fantasized about asking her if she had a boyfriend, and if she said "Yes," I would reply something like, "That doesn't surprise me."

But if she answered "No," then I would ask her out to dinner. Maybe she would think of my trust fund and how I could probably take her out to a pretty fancy restaurant. Or maybe she despised people who never had to work, and wouldn't want anything to do with me.

The nurse returned to my room to ask how I was doing, and I explained to her that my pains were getting worse. I could feel spasms in my chest but I didn't want to sound like a martyr. She said the doctor was on his way.

When the doctor finally arrived I was reeling in pain, and all I could catch a glimpse of was his silver toned face and sharp eyelashes. He had a wide expression like he was going to eat me. But he asked a lot of questions, and I had rehearsed my symptoms for days now, so in a sense, we were perfectly in tune.

I was hoping he would have an answer for me, a diagnosis of some kind. I kept describing the pain under the chest plate, deep, sharp, in my breathing, suffocating me, pulling at my muscles . . .

He smiled and said it would all be better soon. And then he left.

The nurse returned with three tall needles on a steel plate. I turned on my side and pulled down my underwear and jeans.

The nurses and doctors on the other side of the curtain were chatting lightly. They couldn't see me, but I was glowing inside. Especially when the first needle went into my butt, I wanted to meet them all.

Wednesday, September 10, 2008

Descent: Part Three


Life presents a paradoxical situation to each of us. Life asks us to both care and not care at the same time. My flight embraces one end of the spectrum: the extreme of caring. My descent embraces the other: supreme not-caring.

How to engage both at the same time? Maintaining a balance seems contradictory and impossible.

The closed circle of flight and descent forms the essence of what it means to be human. That swing is life propelling itself forward and back through triumph and hardship, success and failure, gladness and sadness. Without this primordial movement, we would not know joy from misery, or pleasure from pain.

The cycle is so familiar to me, and yet I hardly recognize it. Like spring, summer, fall, and winter, I relive the drama of every new season. With fervor I jump from the cliff and soon find myself soaring through the clouds. “Life is really this good . . .”

What I never pay attention to is the subtle shift. If I knew that I was descending then perhaps I could prepare myself better, modulate my speed, extend my wings, maneuver my body, or look where I’m going—to ensure a safe landing.

But I plummet, as I’ve always plummeted.

So this is the true character of life and I must accept it. The rhythm is bound to rise and fall. I’m impulsive about flying and I want to live there, up in the clouds.

But the descent is pulling me down, bringing me into closer harmony with the earth and her seasons, and I will be wiser for it.

Thursday, August 7, 2008

Flight: Part Three


Our daily lives have crystallized into routines, patterns, and rituals. I want to hold onto these patterns because they reinforce the sense of a singular life—my life, which has to do with my goals, and my supreme sense of individuality.

But when I scan the content of my dreams, I see that these routines, patterns, and rituals are like man-made barriers built to stop the flow of contradictory desires.

Dreams will dismantle the notions you’ve carried along about yourself. Dreams will deconstruct that seemingly indestructible idea of “me”.

And here I’m not talking about the flying dream. My flying dream has done little to deconstruct me. Why? Because over the years I’ve integrated it into my personality. The flying dream serves a purpose now; it has become a symbol of my destiny. Before I told you that I wouldn't interpret my dream, but flight is also a universal signifier.

Flight connotes the essence of superhuman power. Flight connotes another realm, a realm nearer to the heavens. Flight connotes the privileged position of the sky, the wide-embracing “bird’s eye-view”, the highest point to look down upon the vegetable planet. Flight connotes elegance, quickness, and lightness.

It seems to me that this dream wants to inflate my ego. Could flight be my symbolic compensation? If I can fly over everyone and everything then maybe I'm not the anxious, worried person I feel I am.

Unlike my flying dream, which inflates my ego, I had a particularly disturbing dream this morning which seemed to create a reverse effect.

The dream involved a sexual experience—that I remember—the rest I recall only vaguely. If I told you some of these loose fragments, these vivid though rootless images, it would be like offering a meal with the food on various plates.

I was disturbed by the dream in the same way that I am shocked to overhear some of my darkest thoughts. I thought to myself, “How could I have ever dreamt that?”

The night embraces inconceivable elements, frightening aspects of our personalities, and lepers of the mind.

If real-life is assigned to day-time hours, then real-life is a cover up. During the day, I struggle to maintain so much damn control. Every hour is anticipated. As if a future moment, which is really just another present moment, will differ vastly from this present moment I am having now.

At night, I’m not thinking about what will come next. After whatever I'm doing, I'm going to bed. The clock drops out of my mind. I'm not governed by time and its mathematical tables. I'm not goaded by self-consciousness.

There are no passing moments, only eternal ones preparing me for flight.

Monday, August 4, 2008

Flight: Part Two


I have had this dream ever since I was a child. The dream has become a sort of refrain in my life, endlessly repeating and replenishing my interest in it.

I am trying to pry into my subconscious; I am trying to decipher one of the many mysteries I hold inside me.

Waking from my flying dream is one of the most pleasant sensations I know. Upon waking I am reminded of my secret powers, and I go about the rest of my day with a foolish grin on my face.

The interpretation of dreams may be a provocative and stimulating pursuit, but one never arrives at a final solution—or the key—to his or her dream.

I suppose I can look up the symbol of “flying” in a dream-encyclopedia and find a generic, albeit satisfactory, explanation to my night-visions. It might even shed some light on the variegated herds of animals that haunt my African savannah . . .

But, on second thought, I don’t care to know the true meaning of this dream. I simply want to carry the sensation of flying. I want to carry it until I die, never knowing what the dream means or why I had it so often . . .

There is no doubt that our dreams are trying to tell us something. If you believe in the subconscious, then you’ll admit to the importance of this crystal bridge between worlds--

The vaguest memory of our dreams suggests we have access to them; a doorway, a brief crack of light. In rare occasions, a person might awake within her dream, which is called lucid dreaming.

Once I had a lucid dream. The world (of the dream) was totally fantastical, and yet I had some control within it, to move around and uncover things. I moved inside the dream as if I were playing a game, like a video game, but there were also some aspects I couldn’t control.

Don’t tell me the meaning of my flying dream. You’ll reduce it to psychological mumbo jumbo. For life is greater than psychology and its theories. And interpretations, like judgments, reduce individuals to abstract concepts. If I were to accept any interpretation of this flying dream, the mystery would be gone instantly, and the dream would lose its power of enchantment.

Sages continually remind us to “enlighten” ourselves. But the language of dreams is darkness and half-light.

What if I prefer my dreams to so-called real-life? What if I’m enjoying this ongoing hallucination, this overflowing stew of desires, dreams, and drives?

Besides, I prefer flying to walking long distances.

I will always vote in favor of dreams and darkness. I feel comfortable in the shade. I’m more likely to wander at night than during the daytime, and to follow my true desires in the wildwood. There are no pretenses at night. In your dreams you are never pretending to be someone; you just are.

During the daytime I feel the burden to be someone. I’m playing a highly-skilled part with expectations to fulfill, and there is always something that must get done. At night, in contrast, time loses its grip on me and my sense of inferiority melts away.

What is commonly called “real-life” is usually a mere trifle. I get worked up about the smallest things. Items I label with greatest importance and greatest consequence turn out to have minor importance and minor consequence.

All of my fears can be summed up: my real-life will fall apart.

What’s beautiful about dreams is that there’s nothing to fall apart because nothing has ever been static or fixed together (as we pretend to make life during the day). In a dream, the pieces are scattered to begin with. Dreams are wild, fitful, mutable, and delirious. Time does not exist, at least not in any ordinary conception of the word. And because of the emptiness and formlessness of this world, we tend to have more freedom.

But really there is no difference between real-life and dreams. Real-life is also wild, fitful, mutable, and delirious. One can even argue that time doesn’t exist here . . .

Thursday, July 31, 2008

Flight: Part One


When I dive from the cliff, nobody catches me . . .

I can barely conceal the smile on my face as I glide--

The joy of being able to launch myself at once into a separate sphere, gives me a supreme satisfaction, an indescribable feeling.

Levitation is a consummate thrill. Floating is even wilder and more insane to imagine. And flight is beyond comprehension.

While I’m flying over giant clusters of people just as if they were pixels on a vast screen, I realize that my secret ability to fly has come to me in the time of an emergency.

Flying is not a part of my daily routine, you see.

I realize that something was threatening me on the ground, and that’s why I suddenly took flight. An impression of the primal scene still haunts me, vague pictures floating restlessly in the back of my mind, distant as memories.

The crowds on the ground are trying to keep up with me. They’re running after me as if they too might bolt into the air. They don’t look like pixels anymore. More like gazelles, running in loose herds; the undulant rhythm of their hind-legs beats like a drum on the African plain.

The beasts of the savanna are chasing me with delight.

For the rest of the dream, I soar over the majestic sweeping continent. Thorny acacias and palm trees spread throughout the vast swathes of grassland and marshes. I look down at the elephants which appear pensive and sad. They are monuments of sadness. Grey lugubrious figures with heavy-thick skin, brooding eternally over the land.

Then: long-necked giraffes carrying messages to the tall trees, whispering all sorts of secrets to the leafy vegetation; they chew in serene self-possession. White rhinos are transfigured into kingly creatures who command respect from the tribes.

The striking zebras graze indolently on the pastures. From my birds-eye, their vivid stripes evoke a mesmerizing contrast to the dry, parched lands.

Flying seems to be the simplest thing in the world.

Tuesday, July 22, 2008

Approaching the Cliff


The blank page is the only cliff I dare to stand over, fathoming the abyss with the thrilling calm of an explorer.

When did this fascination begin?

At ten years old I recall carrying little notebooks throughout the house. I would situate myself in the living room and brood over the pages, making scribbles and poetry.

My father once yelled at me for having too many journals. And that was even before I had more than two or three.

Today my bookshelves are lined with journals. There is also a place on the bottom shelf for journals that are unfinished or not marked in at all.

My mother was an avid diarist. But hers was a sketch diary which was filled with quotations from the books she read and some passages of her own.

She complained about my father in her diary.

Perhaps beginnings don’t really matter. We look back in vain, as through a kaleidoscope, attempting to piece together the mica and glass fragments of life. Each of us has a history which dissolves into colored images when we refer to it.

The past seems less like a cohesive narrative and more like a scattered photo album where the pictures are always changing places.

Strangely I’ve made it my life’s passion to weave the images of my past into books.

Life has the arc of a novel without holding the meaning inside. That’s our job, to give the novel of our lives structure and meaning, to organize the photo album and make labels, to develop the characters and the plot.

But where do urges come from? I mean the drive we have to attain our goals, to satisfy our desires. How does this drive relate to personal history?

My life has a definite goal; and there is a drive in me to fulfill that goal.

To tell you my goal would be to give away the secret. The secret I don’t even know. The secret I’m keeping from myself.

It seems God has concealed my goal; and I don’t even know if I believe in God.

If I could name this enigmatic goal, then perhaps I would be able to put down my pen, leave the computer alone, and stop checking email.

But I don’t know what the object of my existence is and that’s why I keep searching.

I accomplish trivial pursuits along the way. Occasionally I am gratified by my pursuits, literary or otherwise, but whatever I accomplish it never eclipses the desire within me to keep chasing down this larger, more luminous goal.

The goal I have no name for. The goal I cannot even describe.

The blank page holds infinite possibility. Now it occurs to me I can either fill the blank page of life with the words and descriptions of others: I can ventriloquize;

or I can attempt my own language. And describe the world as I see it. And describe myself as I feel things.

I don't follow any religion. I am out of college and have decided against graduate school. The place where I work does not require me to perform mind-numbing tasks.

I guess I've realized that I don’t have to be an echo anymore. I can be myself and speak in whatever words come to me.

If I don’t describe myself, then others will, right?

The Book of Innocence is a literal journey. I have many ideas, but ideas are mere and in life, things just happen, eluding our plans.

I stand over a great cliff, and look far ahead; where I can see nothing but the blank space of air--

the air I breathe which exilarates me and makes me want to jump.

Friday, June 27, 2008

Preface (old version)


I enjoy the reflective essay. But there are many voices and mine is only one of them.

When I began blogging I wanted to create a site where I could publish lengthy quotations from the books I read. Without being in graduate school, I live the life of the interdisciplinary scholar, always sifting through a different book and taking notes. Although these books have little to do with each other, I draw connections.

I draw connections because I see connections. Many think I am mad. The art of linking is a mad art. Linkages can be found anywhere.

Linkages between life and art, linkages between science and religion, linkages between architecture and writing.

Because I do a lot of reading I’m constantly discovering tidbits of wisdom; and that’s what I had originally called this website, “The Philosopher’s Tidbits.”

Since then, things have changed.

The first changes began to show themselves when I added to the pages my own ideas. It began with a short essay, and then a longer one.

I continued to publish lengthy quotations in between my essays. The purpose was twofold. By typing the quotes into my computer, I learned the material of these great thinkers. And two, I suspected that I could increase my page views if I published a famous quote on the Net every couple days.

I also have a long history of copying and recopying.

My earliest memory of obsessive copying is during my sophomore year in high school. I was taking an AP European History class and it was impossible for me to remember anything without copying it down in small print. I was very meticulous and neat. My handwriting drew the attention of my classmates. Before the AP test, I had two stacks of ink-covered pages.

And then in college I remember one of my professors gave us an assignment to keep a “literary theory journal". While she only meant for us to jot down a couple definitions, I set about the Sisyphean task of collecting two volumes of notes and quotations on literary theory. These journals epitomized my habit of overachievement; labors so absolutely unnecessary that they became marvels in their own right.

Therefore: I have a tendency to write things down, especially the thoughts of others.

The line between graphomania and reverence is a thin one. At times I copied down the thoughts of others because they inspired me. At other times I copied them down because I needed words to explain things about life. And there were also times when the physical act of copying satisfied a deep urge inside of me.

Could I have been using the words of others to form a wall around myself?

I am a writer.

I am also afraid to write.

Reaching for ready-made sentences relieves the terror of having to say something original.

And the words great thinkers used seemed different from my own. Their words were more permanent. Their aphorisms like pieces of jade.

I am an idealist. I will always look for the best, and try to achieve my best potential.

The pitfall of this thinking is that I am often mesmerized by what is esteemed “great”. And by fixing a perpetual gaze on others, I undermine my own abilities.

Sometimes I’m just lazy and would rather quote somebody else instead of writing an original sentence.

Whatever the value and greatness of another’s words, nothing compares to the freshness and originality of my own tongue.

I have taken refuge in the words of others for too long; now I am ready to speak.

I no longer want to be afraid.

At a certain age, a person’s identity and purpose gains momentum—

Until the direction cannot be easily averted.

We are—one day we realize—exactly who we have longed to be.

Whatever posturing we did in our youth blends indistinguishably into an essential personality and person—

This is then a symbolic and literal transition from the words of others into our own.

Our own language.

A prelude to the knowledge of our own being.